Eichelbaum Guitars

What is unique about
Eichelbaum Guitars?

In the Eichelbaum shop, one eye is focused on the best of what guitarmaking traditions have to offer, while the other is looking ahead at how to employ modern technological advances to construct more consistent, accurate and durable instruments. No detail is overlooked. I have devoted years to developing neck designs and inviting body shapes, almost Ryan-esque in the case of the Grand Concert. Development is continual as I constantly seek out new technology and methods to improve the quality of my work.

The heart of any guitar is ultimately its tone. I have placed a high priority on maximizing the efficiency of my guitars by re-thinking some of the standard soundbox size and volume parameters. I have given particular attention to the integrity of the sides, and certain models feature a more radical back arch than that typically found. The results have produced a sensitive, articulate tone suited to today’s playing styles.

What are the differences in various soundboard woods?

Soundboard wood selection should be made according to playing style and personal preference. I am always happy to spend time assisting my customers with this process. Below is a description of the most commonly available choices.

Sitka Spruce
Arguably the most often used soundboard material, Sitka Spruce is typically golden in color, and is light, strong and very stiff. I use the highest grades available. Sitka Spruce is a perfect choice for any playing style. Very good supply.

Engleman Spruce
With its shimmering grain and creamy white coloring, Engleman Spruce is perhaps the most beautiful of all the spruces. The appearance is much like older European spruce, but it is often stiffer across the grain. Its open, airy tone is suitable for most playing styles, but works especially well for fingerstylists when coupled with one of the rosewoods. Usually good supply.

Adirondak Spruce
Found in the northeast mountain ranges, Adirondak Spruce was used exclusively by the C.F. Martin Co. until the mid-40’s due to its clear grain and incredible stiffness-to-weight ratio. It can require a lengthy break-in period, but the reward will be crisp, articulate tone, and volume suitable for any playing style…truly the best of all worlds. Adirondak Spruce trees are typically much smaller, so these soundboards should not be cosmetically compared to the other spruces. They ordinarily contain wider grain counts and a greater color differential across the top, yet overall coloring tends to be a shade lighter than Sitka. I buy only the best sets available, which are both extremely limited and expensive. Usually good supply.